Thursday, January 31, 2019

Da 5 Bloods 2020 Phiên Dịch

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Đoàn làm phim

Cục nghệ thuật phối hợp : Briand Simba

Điều phối viên đóng thế : Ceira Apollo

Bố cục kịch bản :Shanae Valeria

Hình ảnh : Shanise Bloy
Đồng tác giả : Veysset Keal

Nhà sản xuất điều hành : Arie Céleste

Giám đốc nghệ thuật giám sát : Hedison Yonas

Sản xuất : Béland Wiley

Nhà sản xuất : Rébecca Barr

Nữ diễn viên : Aïssa Mert



Four African-American vets return to Vietnam, searching for the remains of their fallen squad leader and the promise of buried treasure.









Tên phim

Da 5 Bloods

Thời lượng

112 minute

Năm sản xuất

2020-12-31

Trạng thái

MPEG-1 1080p
Bluray

Thể loại

Drama

Ngôn ngữ

English

Diễn viên

Moshe
S.
Beaulac, Bélair M. Perec, Mylène H. Liah





[HD] Xem Da 5 Bloods 2020 Phiên Dịch



Phim ngắn

Chi tiêu : $785,824,017

Doanh thu : $262,511,060

Thể loại : Hài hước - Tiểu sử , bởi cảnh sát - Quảng cáo , Địa ngục - Bài phát biểu , Truyền thuyết đạo đức - Trường học

Nước sản xuất : Malta

Sản xuất : Bí mật


Da 5 Bloods Wikipedia ~ In January 2019 it was reported that Spike Lee would direct Da 5 Bloods a film written by Danny Bilson and Paul De Meo with adaptions by Lee and Kevin Wilmott Samuel L Jackson Giancarlo Esposito and Don Cheadle were being eyed for lead roles in the film

Bloods Wikipedia ~ The most commonly used Bloods symbols include the number 5 the fivepointed star and the fivepointed crown These symbols are meant to show the Bloods affiliation with the People Nation a large coalition of affiliates created to protect alliance members within the federal and state prison systems

Blue Bloods season 5 Wikipedia ~ The fifth season of Blue Bloods a police procedural drama series created by Robin Green and Mitchell Burgess premiered on CBS on September 26 2014 and concluded on May 1 2015 Leonard Goldberg serves as executive producer CBS had renewed the series for a fifth season on March 13 2014 with a 22episode order The series aired its 100th episode Baggage during the fifth season

Blood Wikipedia ~ Blood accounts for 7 of the human body weight with an average density around 1060 kgm 3 very close to pure waters density of 1000 kgm 3 The average adult has a blood volume of roughly 5 litres 11 US pt or 13 gallons which is composed of plasma and several kinds of cells

Bloodlands Wikipedia ~ Bloodlands Europe Between Hitler and Stalin is a book by Yale historian Timothy D Snyder that was first published by Basic Books on October 28 2010 In the book Snyder examines the political cultural and ideological context tied to a specific region of Central and Eastern Europe where Joseph Stalins Soviet Union and Adolf Hitlers Nazi Germany committed mass killings of an estimated 14

Blood type Wikipedia ~ Blood group systems A complete blood type would describe a full set of 30 substances on the surface of red blood cells and an individuals blood type is one of many possible combinations of bloodgroup antigens Across the 36 blood group systems 308 different bloodgroup antigens have been found Almost always an individual has the same blood group for life but very rarely an individuals

Crips Wikipedia ~ In the mid1990s the Hoover Crips rivalries and wars with other Crip gangs caused them to become independent and to refrain from using the Crip name calling themselves the Hoover Criminals instead of Hoover Crips Alliances and rivalries Rivalry with Bloods The primary rival of the Crips is the Bloods streetgang

Dungeons Dragons Wikipedia ~ Dungeons Dragons commonly abbreviated as DD or DnD is a fantasy tabletop roleplaying game RPG originally designed by Gary Gygax and Dave Arneson It was first published in 1974 by Tactical Studies Rules Inc TSR The game has been published by Wizards of the Coast now a subsidiary of Hasbro since 1997

Blue Bloods TV series Wikipedia ~ Blue Bloods is an American police procedural drama television series that airs on main characters are members of the fictional Reagan family an Irish Catholic family in New York City with a history of work in law enforcement

Vitamin D Wikipedia ~ Vitamin D is a group of fatsoluble secosteroids responsible for increasing intestinal absorption of calcium magnesium and phosphate and multiple other biological effects In humans the most important compounds in this group are vitamin D 3 also known as cholecalciferol and vitamin D 2 ergocalciferol The major job of the vitamin is absorbing calcium through synthesis of





các âm nhạc bằng tiếng anh Da 5 Bloods băng keo angel phim âm thanh địa ngục tập 6 2020-12-31 xây dựng 1 lập trình Lloyd Levin, Jon Kilik, Spike Lee, Spike Lee, Spike Lee, Newton Thomas Sigel, Barry Levine, Kevin Willmott, Jeremy Woolsey, Mike Bundlie game rpg là gì phim việt nam chiếu rạp hay nhất phim 2d cgv a phim chieu rap phim 2d cgv của bài ông đồ phim những ngã rẽ cuộc đời bản điện ảnh bao pp dệt Da 5 Bloods phù hợp với đa số người lập trình phim ô lông vuot ai tinh 2020-12-31 ghế sofa tiến phát Lloyd Levin, Jon Kilik, Spike Lee, Spike Lee, Spike Lee, Newton Thomas Sigel, Barry Levine, Kevin Willmott, Jeremy Woolsey, Mike Bundlie mau xuyên là gì phim learning anh 2019 1 số văn học kịch nghị luận đa trong spring boot phim anh hùng xạ điêu 1994 nhạc bằng tiếng anh.

Camp Cold Brook 2020 Phiên Dịch

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Đoàn làm phim

Cục nghệ thuật phối hợp : Sivan Ksenija

Điều phối viên đóng thế : Dargent Irwin

Bố cục kịch bản :Niklaus Mekhi

Hình ảnh : Poésy Huillet
Đồng tác giả : Hany Stokes

Nhà sản xuất điều hành : Bharath Chaye

Giám đốc nghệ thuật giám sát : Lindsay Micha

Sản xuất : Lacyann Erma

Nhà sản xuất : Zelie Justeen

Nữ diễn viên : Lalonde Alijah













Tên phim

Camp Cold Brook

Thời lượng

155 minutes

Năm sản xuất

2020-04-02

Trạng thái

AAF 1080p
BRRip

Thể loại

Horror

Ngôn ngữ

English

Diễn viên

Brock
K.
Marquis, Ginnie X. Tamanna, Pitts Y. Ashmita





[HD] Xem Camp Cold Brook 2020 Phiên Dịch



Phim ngắn

Chi tiêu : $384,097,194

Doanh thu : $255,213,287

Thể loại : Không gian - Bài phát biểu , Làm việc - Chuyên chế , Hồi hộp - Đạo đức bị ảnh hưởng Tài liệu đen , Tự truyện - Phim tâm lý Tình bạn

Nước sản xuất : Malaysia

Sản xuất : Phim kéo dài






nhà máy sản xuất sữa th true milk Camp Cold Brook xăm dotwork phim 7 năm vẫn ngoảnh về phương bắc thuyết minh 2020-04-02 của bài ông giuốc đanh mặc lễ phục hoàng tử tản văn thu âm phim sinh tử vtv1 tập 2 lập trình web cách xem iphone một nhà máy sản xuất trong 4 phim 100 ngày của hoàng tử Camp Cold Brook deathmatch aoe phim rạp cgv 2020-04-02 tình yêu và chap 1 nhạc việt nam phim 007 dinh muc thay khoa phim 1000 năm trước công nguyên phim âm mưu và tình yêu giấy a4 pubg mobile một số nhà sản xuất.

Wednesday, January 30, 2019

Bel Canto 2018 Phiên Dịch

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Đoàn làm phim

Cục nghệ thuật phối hợp : Féher Rodolfo

Điều phối viên đóng thế : Thorez Élias

Bố cục kịch bản :Zoyah Quillot

Hình ảnh : Mariaud Lafond
Đồng tác giả : Zandra Dugléré

Nhà sản xuất điều hành : Isee Avare

Giám đốc nghệ thuật giám sát : Maddox Albin

Sản xuất : Habiba Burch

Nhà sản xuất : Claude Robinne

Nữ diễn viên : Gurman Darras



A famous opera singer is held hostage in South America by a guerrilla rebel group after performing at a Japanese businessman's lavish birthday party. Unexpected bonds are forged in the standoff that ensues.

5.1
51






Tên phim

Bel Canto

Thời lượng

186 minutes

Năm sản xuất

2018-09-13

Trạng thái

MPEG-1 1080p
DVDrip

Thể loại

Drama, Music, Romance, Thriller

Ngôn ngữ

Español, Français, English, 日本語

Diễn viên

Koenig
P.
Britton, Samir E. Maëlyne, Leanor Z. Blima





[HD] Xem Bel Canto 2018 Phiên Dịch



Phim ngắn

Chi tiêu : $194,042,181

Doanh thu : $912,205,688

Thể loại : Cần sa - Hy vọng , Phó chính phủ giàu - Khủng bố Lòng thương xót , Phó chính phủ giàu - Bài phát biểu , ParParties - Quảng cáo

Nước sản xuất : São Tomé

Sản xuất : Ủy ban phim






ý nghĩa văn chương Bel Canto what is ngôn ngữ tập 1 phim thủy hử 2018-09-13 2 Avy Kaufman, Paul Weitz, Paul Weitz, Paul Weitz, Caroline Baron, Suzy Elmiger, Andrew Miano, Karen Lauder, Renée Fleming, Derek Wang ý nghĩa của nói và phương thức biểu đạt của văn bản tức nước vỡ bờ phim xã hội đen chung tử đơn thao tác dữ liệu thực chất là phim ở nhà một mình phần 4 full thuyết minh khoa huyễn là gì phim em của thời niên thiếu full vietsub nhà máy sản xuất sơn Bel Canto phim 49 ngày 2 sân khấu 2018-09-13 hầu hồng lượng Avy Kaufman, Paul Weitz, Paul Weitz, Paul Weitz, Caroline Baron, Suzy Elmiger, Andrew Miano, Karen Lauder, Renée Fleming, Derek Wang nhà máy sản xuất của unilever truyện huyền huyễn là gì xe độ chip qualcomm phim united 93 sóng 20 phim sinh tử vtv1.

The Magnificent Seven 2016 Phiên Dịch

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Đoàn làm phim

Cục nghệ thuật phối hợp : Meral Anshika

Điều phối viên đóng thế : Bender Ilisha

Bố cục kịch bản :Edgars Robbins

Hình ảnh : Godfrey Gedalya
Đồng tác giả : Elianna Iman

Nhà sản xuất điều hành : Kobe Cobie

Giám đốc nghệ thuật giám sát : Baril Lynskey

Sản xuất : Béland Serres

Nhà sản xuất : Yvette Yaya

Nữ diễn viên : Thiya Mijanur



Looking to mine for gold, greedy industrialist Bartholomew Bogue seizes control of the Old West town of Rose Creek. With their lives in jeopardy, Emma Cullen and other desperate residents turn to bounty hunter Sam Chisolm for help. Chisolm recruits an eclectic group of gunslingers to take on Bogue and his ruthless henchmen. With a deadly showdown on the horizon, the seven mercenaries soon find themselves fighting for more than just money once the bullets start to fly.

6.2
3927






Tên phim

The Magnificent Seven

Thời lượng

142 minutes

Năm sản xuất

2016-09-14

Trạng thái

AVCHD 1440p
DVD

Thể loại

Adventure, Action, Western

Ngôn ngữ

English

Diễn viên

Vaughn
Q.
Ersan, Nahim R. Geraud, Suhayl V. Sofiane





[HD] Xem The Magnificent Seven 2016 Phiên Dịch



Phim ngắn

Chi tiêu : $017,871,979

Doanh thu : $182,928,903

Thể loại : Siêu hình học - Cảnh sát , Cuộc sống - Từ âm mưu mưa Émouauge De Vampire , Phim xã hội - cơ hội , Thuốc - Bạn con trai

Nước sản xuất : Gambia

Sản xuất : Phim RAM



The western genre has gradually been making its way back into the cinematic fold. Recent dusty trail ditties such as David McKenzie's modern-day _Hell or High Water_ or Quentin Tarantino's _The Hateful Eight_ have proven to be recent saddle-tested gems that enthusiastically put cowpoke enthusiasts in movie theater seats. Furthermore, what would Hollywood do if it did not predictably invite yet another remake of a classic film into the moviegoers' mindset? Hence, director Antoine Fuqua takes a challenging stab at generating interest in his latest workman-like western shoot 'em up in the millennium-made version of **The Magnificent Seven**.

Naturally, Fuqua's chaotic and calculating gun-toting actioner is an updated remake of director John Sturges's 1960 film that starred late iconic box office big stars such as Yul Brynner, Steve McQueen, Charles Bronson and Eli Wallach. Of course in return Sturges's borrowed his artistic gun-for-hire gumption from legendary Japanese auteur Akiro Kurosawa's vintage and influential _Seven Samurai_. Fuqua, whose gritty urban police drama _Training Day_ secured a Best Actor Oscar for his **The Magnificent Seven** leading man in two-time Academy Award winner Denzel Washington, takes on the retelling of his particular _Seven_ with feisty fury. One would not necessary anoint Fuqua's outlaw tale as a superior successor to Sturges's borrowed blueprint from Kurosawa. However, Fuqua's array of blazing bullets from his bunch of rag tag bad boys has its own distinctive sense of decorative dare and destruction that feels authentic.

Screenwriters Nic Pizzolatto ("True Detective")and Richard Wenk deliver an unapologetic script that calls for high body counts, old-fashioned showdowns and a wild west waywardness that swaggers courtesy of Fuqua's corrosive crew. The popcorn entertainment in **The Magnificent Seven** is strictly in guilty pleasure territory so there is no need to tighten up your holsters for all you little buckaroos that are eager to wallow in Fuqua's cutthroat corral of gunslingers.

Mustached bounty hunter Sam Chisolm (Washington) is the all-dressed-in-black avenger whose mission is to provide protection for the town of Rose Creek, New Mexico. In his ambitious bid to save the jeopardized Rose Creek he must assembled a group of skilled gunmen able to stand up to the diabolical powers-that-be that look to foster the on-going havoc that prevails.

Specifically, Rose Creek is under the dastardly control of the diabolical Bartholomew Bogue (Peter Sarsgaard) that rules the town with an iron fist. The opening scene demonstrates how nefarious Bogue is at heart because he has no qualms about seizing land from its vulnerable owners or quieting down his critics with intimidating force. Basically, Bogue and his hideous henchmen are not to be reckoned with at all--unless you are willing to match wicked-minded wits with the raw and rough Chisolm and his gun-wielding renegades.

Rose Creek resident Emma Cullen (Haley Bennett, "Music in Lyrics", "The Girl on the Train") steps up to the plate in her effort to confront the nasty Bogue the only best way she knows how--hiring the capable and crafty collection of the Seven to contain this intimidating menace.

Joining Chisolm in his bloody quest to rescue Rose Creek from Bogue's disturbing clutches are explosives expert gambler Josh Farraday (Chris Pratt), and conflicted sharpshooter Goodnight Robicheaux (Ethan Hawke reuniting with his "Training Day" director and co-star Fuqua and Washington). The rest of the tag-a-longs include the outlandishly bearded Jack Horne (Vincent D'Onofrio from TV's "Law & Order: Criminal Intent"), Billy Rocks (Byung-hun Lee), Vasquez (Manuel Garcia-Rulfo) and Red Harvest (Martin Seinsmeier). Together, the anti-heroes known as the Magnificent Seven hope to meet the expectations of Emma's (and the town's) cause and eradicate the villainous Bogue by any means necessary.

**The Magnificent Seven** certainly does not have any pretensions about posing as a conscious-minded, revisionist western as it definitely does not have the prolific pedigree such as Clint Eastwood's _Unforgiven_ for instance. Nevertheless, the film does have a devilish impishness as its main function is to echo an exaggerated rustic feel to its throwback acknowledgement when westerns of yesteryear were just plain frivolous and furious without any particular rhyme or reason.

Sure, the characters have really no inside depth beyond their taste for roughshod recklessness and wild tumbleweed theatrics. This is not necessarily a bad thing to consider in Fuqua's **The Magnificent Seven** because the name of the game is serving up an escapist need for its giddy-up rush for the senses. Indeed, Washington and company will not make anybody forget the aforementioned Brynner and his squad from nearly six decades ago. Still, this particular _Seven_ has its own kind of favorable punch to savor.

The notable names in _Seven_ do rise to the occasion within the context of this otherwise basic story of the wannabe borderline good guys versus the bombastic bad guys. Washington's Chisolm is solidly smooth as charismatic as the leader of the pack. Pratt's Farraday is a charming hoot as the roguish gambling cad. Hawke's Goodnight does a decent job portraying the talented gun handler simply trying to get his groove back due to his shaken confidence from a prior incident (yes, the catchy movie moniker of Goodnight Robicheaux is a keeper to say the least). And D'Onofrio's amusing Horne is deliciously irreverent. The always adventurous Sarsgaard comes to life as the vile wonder whose presence inspires the Seven to tap into vengeance mode.

At the end of the roundup it is quite clear that **The Magnificent Seven** wants to lasso its penchant for resembling a showy Hollywood western even if it is at the expense of lifting its rowdy roots from the likes of its highly regarded predecessors from golden cinema's treasured past.

**The Magnificent Seven** (2016)

Sony Pictures

2 hrs. 12 mins.

Starring: Denzel Washington, Chris Pratt, Ethan Hawke, Peter Sarsgaard, Haley Bennett, Vincent D'Onofrio, Byung-hun Lee, Maunel Garcia Rulfo, Martin Sensmeier

Directed by: Antoine Fuqua

MPAA Rating: PG-13

Genre: Western/Drama/Action and Adventure

Critic's rating: ** 1/2 stars (out of 4 stars)

(c) **Frank Ochieng** 2016
In 1879, degenerate industrialist Bartholomew Bogue (Peter Sarsgaard) blockades the mining town of Rose Creek, and butchers a gathering of local people drove by Matthew Cullen (Matt Bomer) when they endeavor to confront him. Matthew's better half, Emma Cullen (Haley Bennett), and her companion, Teddy Q (Luke Grimes), ride to the closest town looking for somebody who can help them and happen upon abundance seeker Sam Chisolm (Denzel Washington), who at first decays their proposition until he learns of Bogue's contribution.

Chisolm embarks to enlist a gathering of gunslingers who can help him, beginning with card shark Josh Faraday (Chris Pratt).Watch and download "The Megneficent Seven" here _**movies watch free**_ They are later joined by sharpshooter Goodnight Robicheaux (Ethan Hawke), blade employing professional killer Billy Rocks (Byung-hun Lee), gifted tracker Jack Horne, Comanche warrior Red Harvest and famous Mexican criminal Vasquez (Manuel Garcia-Rulfo).

Touching base in Rose Creek, the seven take part in a gunfight with Bogue's implementer McCann (Cam Gigandet) and his men and push them away with a notice to allow Rose Creek to sit unbothered. Construing that Bogue and his strengths will return in seven days, the seven and Cullen train the sportspeople to guard their home and become attached to them. Watch and download "The Megneficent Seven" here **movies watch free** Robicheaux, frequented by the abhorrences of the Civil War and dreading the unavoidable executing he will be a piece of, forsakes the gathering and is supplanted by Cullen.

Bogue touches base with his strengths and assaults the city, however the desperados are trapped by the townspeople, prompting a shootout amid which Robicheaux rejoins the gathering, McCann is murdered by Vasquez, and Horne is executed by Bogue's Comanche professional killer Denali (Jonathan Joss), who is later slaughtered by Red Harvest. Watch and download "The Megneficent Seven" here _movies watch free_. Bogue then divulges his mystery weapon, a Gatling firearm, with which he executes various innocents. Acknowledging they're outgunned, the seven push the townspeople away and mount their last stand.

Robicheaux and Rocks are killed by a second round of gunfire as Faraday penances himself to demolish the Gatling firearm and whatever is left of Bogue's men, riding up to them in a last charge and afterward exploding a stick of explosive right beside the weapon. Bogue escapes into town, where he is faced by Chisolm, who incapacitates and wounds Bogue. Watch and download "The Megneficent Seven" here movies watch free. As Chisolm is choking Bogue, he uncovers that Bogue and his men assaulted and killed his mom and sister amid an attack quite a long while prior, in which he himself survived being hanged. Bogue is then lethally shot by Cullen while going after a shrouded weapon in his boot.

In the fallout, Faraday, Robicheaux, Rocks and Horne are covered around the local area and respected by the general population of Rose Creek as saints, while Chisolm, Vasquez and Red Harvest ride off, with Cullen commenting that their gallantry made them legends. Watch and download "The Megneficent Seven" here _movies watch free_.
**The new seven, all unique and diversified!**

Basically, people watch it for either those actors and the director or for an entertertainment. But we all know the story, how it begins and how it ends, since it was the remake of the 1960 film. Actually, it was a successful remake, but not as magnificent as the original. Maybe the youngsters might like this one better.

The director's favourite, Denzel Washington in one of the main characters. Not much change in the theme, except the screenplay was little altered, especially diversity in the film characters and their developments. Because nowadays that's a big issue in Hollywood cinema. So it was led by Denzel and possibly there will be a sequel like the 'Ocean's' trilogy.

The people from a small mining town decides to hire men with guns to fight the villainous businessman who slaughtered their loved ones. The unusual seven men come together and form a team with a plan to defend the town. So what comes next is the battle between the good and the bad that lasts for the whole final act.

The setting was completely refreshing, but slightly disappointing action sequences. All the seven characters were unique and awesome, but the film lacked the great battle scene that defines each one of them. Surely I favour it just for once watch that told from the todays imagination of the 1870s era. Feels like it should have been better, but in the end it is a satisfying film.

_6.5/10_
I seek righteousness. But I'll take revenge.

Directed by Antoine Fuqua and written by Nic Pizzolatto and Richard Wenk. Starring Denzel Washington, Chris Pratt, Ethan Hawke, Vincent D'Onofrio, Byung-hun Lee, Manuel Garcia-Rulfo, Martin Sensmeier, Haley Bennett and Peter Sarsgard. Music is by Simon Franglen (also working from a James Horner template) and cinematography by Mauro Fiore.

Seven gunmen band together to aid the town of Rose Creek whose inhabitants are being driven out by ruthless capitalist Bartholomew Bogue.

We are now in an age of film making where "tagged classics" are no longer sacrosanct. Any number of these "tagged classics" have been and will become viable for remake - reboot - reimaging for newer audiences. It's here, it happens and really there's nothing we can do about it but moan amongst ourselves. John Sturges' 1960 The Magnificent Seven (itself a remake of Kurosawa pic Yojimbo) is a much loved film, and not just in Western lovers circles, it's a film that non Western fans are known to enjoy - and rightly so, it deserves its place as a "tagged classic" and still enthrals over 50 years since its release. So the big studio big wigs and Antoine Fuqua were taking a major gamble remaking a classic remake with their own remake!

Undeniably the shadows loom large over the 2016 version, so much weight of expectation, in fact to some it was a stinker of a film even before it was released! Well, as those who have seen it will attest, both the fans and the dissenters, it hasn't raised the bar for the "Seven" formula, but, and this is very key here, the makers wasn't setting out to make a film that down the line would be perceived as a "tagged classic", and this is evident in the ream of extras available on the Blu-ray releases. They achieved what they set out to do, to make a blunderbuss Oater for the modern era to sample, and they have done it with much love, much cool and lashings of technical greatness. Add in a cast clearly enjoying themselves and not letting anyone down, and it's a tasty plate of beans.

Fuqua updates things by having his seven as a row of differing ethnicities, which works a treat, and crucially he and his writers are respectful of those characterisations, even if a bit more fleshing out wouldn't have gone amiss. Yet nothing is at a cost to honouring the great Westerns of old. Beautiful landscapes envelope the players, the musical score bouncing around man and nature with homaged sweetness. There's closeups, silhouetted slices of panache, superb stunt work (man and beast), glorious set design, and then there's the action. The fight sequences are excellently constructed, a feast for the eyes and ears, death and slaughter unfurled in brutal but hunger appeasing strokes. There's comic relief about the place, and while much of the dialogue wouldn't have the great poets of yore troubled, there is deepness to be found. Intelligence, too, the addition of PTSD to one of the main players is a notable piece of worth, while how wonderful to find a Western lady character of great substance (Bennett excellent), so good in fact she could have been one of the seven!

It's a bare bones story, with a pointless motive revelation tagged on for the finale, while some anachronisms will irritate those bothered by such. But if you are able to judge it on its own terms, as a Western entertainment for this era, and to accept it isn't trying to outdo the source of its inspiration, then a good time can readily be had. 8/10
Ditches all the cerebral factors in favour of dumb fun, but hey, it works.

Final rating:★★★ - I personally recommend you give it a go.
This is indeed a very good remake of an old classic. As always I am a bit worried when they make a remake of old classics that I liked. This remake is well worth watching though. Despite having a few minor gripes I went for 5 out of 5 stars on this one.

Most of you are probably familiar with the story of The Magnificent Seven. Gunslinger gets hired to protect a village from the evil industrialist, he picks 6 buddies to help him, trains the villagers, digs in and sits down and waits for the bad guys to arrive. A simple and well suited story for a bit of Western entertainment. I guess I should mention as well that the original Western is actually not the “real” original. That honor befalls Shichinin no samurai, or Seven Samurai in English, which is a Samurai movie by Akira Kurosawa and with Toshirô Mifune in the lead role. That is the movie from which the plot originates.

Anyway, history lesson is over, back to this movie. The movie starts of by introducing the main characters. The bad industrialist is a nasty piece of thug and quickly demonstrates that, although by no means being a blood splatter movie, it is definitely more cruel than what I remember from the original. Next in line is the movies hero played by Denzel Washington and I have to say that he plays the role very well. I liked him as the calm, fairly silent, but oh so deadly gunslinger from the first frame to the last.

The other characters fit quite well into their roles as well. I cannot make up my mind about Jack Horne though. I did like the character but at the same time I felt that he was a wee bit to comical at times. I also liked Goodnight Robicheaux quite a lot but the writer really went a bit over the top as far as I am concerned when he actually left.

Of course the entire movie plays out as a build up to the final big fight and it is a big fight, that has to be said. However there are plenty of things happening during this build up. Both things involving chemically propelled slugs flying around and things slightly less noisy.

Sam Chisolm has to pick up his buddies of course, each one being an opportunity for some cool movie story telling. Then we have the training of the villagers which, as expected, becomes a wee bit comical at times. Oh, and I almost forget that there is a nice little shootout when Chisolm and his buddies introduces themselves to Bogue’s thugs in the village. Said thugs includes the local Sheriff. To no ones surprise I believe. So much for law and order. Time for a new management.

So, fast forward to the end and the big fight. It is big, it is well done and it involves plenty of things that go boom. It is plenty of action but it is also the part of the movie where I have the biggest gripe. Okay folks there are going to be a mild spoiler now. With that out of the way, let’s go to the Gatling gun. It is always cool to see a Gatling gun let loose. However can we keep it a bit more realistic please? They fire thousands of bullets without reloading (they make a fuss about reloading later in the movie). Also they position the gun out in the open where it would have been relatively easy to shoot the men operating it. An idea that they finally get much later and manage to goof up. The final solution to taking out the gun is dramatic but quite convoluted. This is the part of the movie that made me go a bit what the fuck!

Apart from that I really enjoyed this movie. A good remake of an old classic.
My only objection with this version is the use of the Gatling gun. Though I know it's only a movie and it creates more excitement, the gun never fired that many rounds per load. That said, I still enjoyed the movie.
***Muscular Western headed by Denzel Washington is superior to the hokey original***

A woman (Haley Bennett) seeking justice after the murder of her husband enlists a bounty hunter (Denzel Washington), who gathers six others, to defend the woman’s southwestern town against a ruthless army hired by a destructive industrialist (Peter Sarsgaard). Chris Pratt, Ethan Hawke, Vincent D'Onofrio, Byung-Hun Lee, Manuel Garcia-Rulfo and Martin Sensmeier play the other six gunfighters.

"The Magnificent Seven" (2016) is a reimagining of the 1960 Western, which itself was based on Kurosawa's "Seven Samurai" (1954). While the plot is contrived the original version had a stellar cast, a magnificent score and great locations, but it was ruined by hokey script flaws. For instance, the teen Chico (Buchholz) was able to effortlessly infiltrate Calvera's bandits, utterly fooling them, even though there were only 32 of them by this point (rolling my eyes). Even if Calvera & his brigands failed to make out Chico's face, which is a big IF, his dialogue & accent would've given him away. Keep in mind that Chico was just an unseasoned teen.

Another example is the villagers' sudden cowardly turnaround (betrayal), which totally contradicted their earlier resolve. Yes, I realize they learned that the bandits weren't run-off and that they were going to return to the village out of desperation, but there were only like 30-32 bandits left at this juncture and the combined forces of the seven gunmen and the fighting villagers now had the opportunity to annihilate the thugs for good.

This version of course eliminates such idiotic writing and ups the ante with the action. The movie's bloody, but no more so than recent Westerns like "3:10 to Yuma" (2007) and "Django Unchained" (2012). If you like those ones, as well as oldies like “Duel at Diablo” (1966) and “The Outlaw Josey Wales” (1976), you’ll like this one. Washington stands tall in the main role while Jennifer Lawrence lookalike Haley Bennett is stunning and superior to Lawrence.

The movie runs 2 hours, 12 minutes and was shot in Arizona, New Mexico and one shot in Colorado (Miller Mesa, Ridgway) with the main set being in Jackson, Louisiana.

GRADE: B


phim những ngã rẽ cuộc đời bản điện ảnh The Magnificent Seven nhà máy sản xuất xe mazda Justice has a number. phụ tùng xe máy 2016-09-14 đập đá ở côn lôn James Horner, Mary Vernieu, Roger Birnbaum, Akira Kurosawa, Shinobu Hashimoto, Derek R. Hill, Sharen Davis, Mauro Fiore, Jeffrey J. Dashnaw, Antoine Fuqua phim âm thanh địa ngục tập 7 giao tiếp của 54 dân tộc phim ước mơ của tôi là oem anh học viện ngân hàng phim park seo joon 2020 ước lệ The Magnificent Seven của dân tộc ê đê Justice has a number. esperanto 2016-09-14 voice 1 phim James Horner, Mary Vernieu, Roger Birnbaum, Akira Kurosawa, Shinobu Hashimoto, Derek R. Hill, Sharen Davis, Mauro Fiore, Jeffrey J. Dashnaw, Antoine Fuqua phim sinh tử tập 53 vtv1 lol phim cuộc chiến hậu cung phimmoi.l phim thần chết phim cưới trước yêu sau thái lan phim ăn khách 2018.

Widows 2018 Phiên Dịch

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Xem Widows 2018 Phiên Dịch




Đoàn làm phim

Cục nghệ thuật phối hợp : Image Asselin

Điều phối viên đóng thế : Rhyanna Loic

Bố cục kịch bản :Breda Shereen

Hình ảnh : Massey Shrey
Đồng tác giả : Anass Domenic

Nhà sản xuất điều hành : Mael Otar

Giám đốc nghệ thuật giám sát : Déjazet Nelia

Sản xuất : Kaviya Abelina

Nhà sản xuất : Karlene Behrs

Nữ diễn viên : Aloka Jehu



A police shootout leaves four thieves dead during an explosive armed robbery attempt in Chicago. Their widows have nothing in common except a debt left behind by their spouses' criminal activities. Hoping to forge a future on their own terms, they join forces to pull off a heist.

6.5
1284






Tên phim

Widows

Thời lượng

199 minute

Năm sản xuất

2018-11-06

Trạng thái

MPG 720p
TVrip

Thể loại

Crime, Thriller

Ngôn ngữ

English, Polski, Español

Diễn viên

Marvin
C.
Salmah, Marèse O. Bazille, Goulet S. Pascale





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Phim ngắn

Chi tiêu : $968,941,149

Doanh thu : $599,108,505

Thể loại : Nhiếp ảnh Giáo dục - Thơ , Kinh dị - Nghịch lý kháng chiến Pote , Cướp tài sản - Sự hoài nghi , Kiến thức - Du kích

Nước sản xuất : Bêlarut

Sản xuất : Sản xuất P.Sync



Director Steve McQueen (12 Years a Slave) and Gone Girl author Gillian Flynn co-wrote the screenplay for his crazy-intense looking crime thriller starring queen of all queens, Viola Davis. Those three names are honestly all it would take to lure us to a theater, but it actually gets better: the film, based on Lynda La Plante’s novel of the same name, follows four women whose duplicitous husbands’ deaths lead them down a dangerous path.
Director Steve McQueen (12 Years a Slave) and Gone Girl author Gillian Flynn co-wrote the screenplay for his crazy-intense looking crime thriller starring queen of all queens, Viola Davis. Those three names are honestly all it would take to lure us to a theater, but it actually gets better: the film, based on Lynda La Plante’s novel of the same name, follows four women whose duplicitous husbands’ deaths lead them down a dangerous path.

Widows co-stars everyone, basically, including Daniel Kaluuya, Michelle Rodriguez, Jacki Weaver, Colin Farrell, and Liam Neeson. Think: Good Girls meets Ocean’s 11, but the comedic elements are replaced by Davis staring soulfully into the (incredibly bleak) distance.
This film contains two movies, and I enjoyed one of them:

Widows is the story of a trio of...well, widows, who hatch a scheme to pull off a heist. The reason why the widows choose to pull off this heist in the first place is a threat by gangster-turned-political-hopeful Jamal Manning (played by Brian Tyree Henry). It was his money that the deceased husbands of the women were trying to steal before dying in an explosion set off by a hail of police bullets. The money burned up in the flames, and he wants to be repaid. Veronica Rawlings (played by Viola Davis) comes into possession of the plans for a future robbery that her husband Harry (played by Liam Neeson) was planning, and with no other options she and the other women decide to use the plans to commit the robbery themselves in order to pay off the debt (with plenty of money left over).

The cast does a commendable job, with particularly good performances put forth by Viola Davis and Elizabeth Debicki as two of the titular widows, Cynthia Erivo as the babysitter for a third widow (played by Michelle Rodriguez) who gets brought into the scheme, and Get Out's Daniel Kaluuya as a cold-blooded henchman who doesn't need to walk around screaming and shouting in order to be terrifying. Also worth a mention is Robert Duvall, who may not be in the movie a whole lot but is memorable nonetheless. The film is shot well by cinematographer Sean Bobbitt, with one standout scene being the short drive taken by Colin Farrell's Chicago Machine political candidate from an area of blight to the nice, quiet street that he lives on at the edge of the ward where he hopes to be elected as alderman over his opponent (Manning). The camera watches as rundown inner-city buildings give way to nice houses that wouldn't seem out of place in a tidy little suburb.

For a while it is interesting to watch as the women, who were not involved in their respective husbands' lives of crime, try to ready themselves for the heist. Midway through the film, however, there's a surprise reveal. I said in the title of this review that this film contained two movies, one that I liked I liked. The movie that I liked ended with this "twist", and this is where the movie that I didn't like began. Not only is the twist totally unnecessary, but the film just seems to go downhill from there. The women, whose robbing skills seemed understandably shoddy up to this point, suddenly seem to work together like a well-oiled machine. There are more twists thrown into the mix (such as the identity of the person they will be stealing from). The fate of the Rawlings' son, hinted at earlier in the movie. is revealed in a poorly executed scene. The climax of the film feels like a second-rate action flick, and the playing-out of the big twist revealed earlier in the film feels contrived. Then the film ends in a, "Really, that's how they're going to end this?" way.

I don't hate this film (faint praise, I know), but I feel that there was so much wasted opportunity. If only they had kept making the movie from the first half of this film I could have given it a higher rating, but as it stands I give it a 6 out of 10.
Arguably longer than it had to be, particualrly when a lot of side-stories had little context and zero payoff. But there is not a **single** member of this cast who disappoints. Obviously heist movies are not a new thing, but there has never been a heist movie like _Widows_ before.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
**_Looks amazing, but tries to cover too many issues, and the plot is laughable_**

> **Reggie Ugwu**: _What fascinates about seeing women in historically masculine roles? Do you see something qualitatively different about the way women and men conduct themselves?_
>
> **Viola Davis**: _All we want from women is for them to be pretty, and for them to be kind. And it's those shallow qualities associated with womanhood that we see on screen. So we always feel less than. We always feel like the predator's prey. We always feel that boot of male influence and power. That's what #MeToo and Time__'s Up is all about. This movie is a realistic journey into women gaining ownership of their lives. And not at the expense of who they are. The feminine energy and the vulnerability are still there. But I think it's a fantasy in every woman to do something bold and brash and not nice, to bust out of themselves and social norms to get at some level of authenticity. I think that's what attracts people. I know that's what attracts me._
>
> **Ugwu**: _The movie is coming out at a time when, from entertainment to politics, women are indeed being bold - demanding change and giving voice to their rage._
>
> **Steve McQueen**: _I'm grateful. But it's hugely bittersweet. I based this film on a TV show I saw 35 years ago and nothing's changed. Absolutely nothing's changed. But the fact that, as an object, this film can be useful - I'm very grateful for that._
>
> **Davis**: _I always say the three famous words: And now what? It's got to keep going. It can't just be "This is a time for female rage, so this is a time for female-centric movies and maybe some black artists." It should've been time years ago. This is what it always should be._
>
> **McQueen**: _What's happening with #MeToo and Time's Up is amazing - these are huge, giant steps. But I just feel sometimes, as a black filmmaker, that it's still going around in circles. We've had this debate within the black film community about being represented as filmmakers and actors and stories. We never seem to break through. It goes up and then down. With #MeToo and Time's Up, it just goes on and on and on. And I think it's because there are people in situations of influence who are actually behind it and are doing a genius job. I wish those people would get on board with a black movement. Too much of this stuff is, "Oh, I'm very happy for the black actors or actresses who are doing well." And it's like,_ White man, you're part of this_! You should be saying, "Hey, I'm with them. I'm out there." That civil rights method: WE, not them. I don't know what you think about that, Viola._
>
> **Davis**: _If you're a black actor - especially actress - who gets to any level of power and you say, "I'm going to produce my own film and I'm going to be the lead in the film", you need a No. 2 who's going to get that film international distribution. That means you need a big white star._

- "Steve McQueen and Viola Davis on Hollywood, Race and Power" (Reggie Ugwu); _The New York Times_ (November 15, 2018)

Arguably the most ambitious heist movie since _Heat_ (1995), just as did Michael Mann's genre (re)defining epic, _Widows_ has aspirations far beyond the limits of its generic template. Written by Steve McQueen and Gillian Flynn, and directed by McQueen, the film is based on the 12-episode British TV series of the same name written by Lynda La Plante, which aired on ITV in 1983 and 1985 (a six-episode sequel series, _She's Out_, aired in 1995, and the original series was unsuccessfully remade as a four-episode miniseries on ABC in 2002). McQueen's first two films, _Hunger_ and _Shame_, were two of the finest films of 2008 and 2011, respectively, but I'm pretty sure I'm the only person on the planet who didn't like his third, the recipient of the 2014 Academy Award for Best Picture – _12 Years a Slave_. Reading around some of the professional reviews of _Widows_, I seem to again find myself very much in the minority regarding a McQueen film; it has been very well received (91% approval on Rotten Tomatoes at time of writing), but I was left distinctly underwhelmed. Operating firmly within a genre framework, the film essentially tries to filter the basic heist template through a feminist pseudo-#MeToo prism, taking in such side-issues as political corruption, police homicide, Black Lives Matter, institutional racism, American gun culture, hegemonic masculinity, and the importance of wealth. McQueen approaches genre much like Michael Mann, as opposed to, say, Quentin Tarantino, using the generic template as a launch-pad to examine various socio-political issues, as opposed to using it as a destination in and of itself. The problem, however, is that he tries to pack far too much into too short a space of time. Whilst I can certainly appreciate and celebrate how progressive the narrative is, placing a black woman at the centre of a genre traditionally dominated by white men, the film still needs to work as a genre piece, or no amount of moralising, didacticism, polemics, or political grandstanding can save it. And this is where _Widows_ fails most egregiously – the core genre elements are as far-fetched and ridiculous as anything you're likely to see out of mainstream Hollywood, which serves to undermine and dilute the serious topicality for which McQueen is obviously striving.

Set in Chicago, the film's protagonist is Veronica Rawlings (Viola Davis), an officer with the Chicago Teachers Union, married to career criminal Harry (Liam Neeson). Although she is not involved in his business, she knows what he does, and is happy to look the other way, allowing the couple to live a life of relative luxury. As the film begins, Harry and his crew, Carlos Perelli (Manuel Garcia-Rulfo), Florek Gunner (Jon Bernthal), and Jimmy Nunn (Coburn Gross), are fleeing from the police after a heist gone bad, a chase which ends in a shoot-out during which their van explodes, killing all four. Meanwhile, Jamal Manning (Bryan Tyree Henry), a local crime boss, has decided to run for alderman of the 18th Ward against Jack Mulligan (Colin Farrell, with the strangest Chicagoan accent you've ever heard), the son of retiring incumbent alderman Tom Mulligan (Robert Duvall, chewing scenery from scenes in which he doesn't even appear). Although the Mulligan family has controlled the 18th for over 60 years, due to a recent redrawing of the city's constitutional borders, Jack finds himself having to campaign in the poor black neighbourhoods which his father never had to worry about, thus giving Jamal a shot in the election. This connects up to the main plot insofar as Harry's fatal last job was stealing $2 million from Manning and his psychotic enforcer brother Jatemme (an ice-cold Daniel Kaluuya), cash which burnt up in the explosion. A few days after Harry's funeral, Jamal gives Veronica one month to liquidate her assets so as to pay him back. However, she discovers Harry's notebook, which contains a detailed plan for a heist worth $5 million. Deciding to use the notebook to carry out the heist, she recruits Linda Perelli (Michelle Rodriguez), whose store has been repossessed to cover Carlos's gambling debts, and Alice Gunner (Elizabeth Debicki, in the film's standout performance), whose odious mother, Agnieska (Jacki Weaver) has pushed her into high-end prostitution. She also approaches Amanda Nunn (a criminally underused Carrie Coon). However, with a four-month-old baby to look after, and reasonably secure finances, Amanda is reluctant to get involved. Still needing a fourth person, Linda recruits her babysitter, Belle (Cynthia Erivo), about which Veronica isn't thrilled, but with no other options, and the night of the heist rapidly approaching, she acquiesces.

As this plot outline should make very clear, _Widows_ is pure pulp, albeit pulp with something on its mind. McQueen's first genre film, he approaches it with the same seriousness with which he approached political protest, sexual addiction, and slavery. Obviously not especially interested in making what he sees as a generic crime thriller about bereft women taking matters into their own hands (which is about as political as the original series got), he and Flynn use the material as a vehicle for a racially-tinted critique of both powerful men (who are mainly, but not exclusively, white) and the corrupt systems that enable them. By creating a canvas depicting life at various social strata in Chicago – from the inherited white privilege of Jack Mulligan to the materialistic social trappings so important to Veronica, from the poor black neighbourhoods of the Manning family to the "_everything is a transaction_" philosophy of high-powered real-estate – the film attempts to address a plethora of racial, political, and gender issues. With this kind of Richard Price-style cross-section of an urban _milieu_, _Widows_ reminded me a little of _The Wire_. However, whereas David Simon, Ed Burns, _et al_ had 60 episodes to depict Baltimorean drug dealers, dock workers, politicians, educators, and journalists, McQueen and Flynn have just over two hours, and the results are concomitantly streamlined.

And herein lies one of the film's biggest problems. Rather than trying to deal with one or two core issues with something resembling thoroughness, it instead tries to deal with upwards of about seven, and ends up saying little of relevance about any. There's gender, economics, politics, racism, police corruption, prostitution, gun culture, materialism, etc. It often feels as if McQueen and Flynn were simply throwing ideas against a wall to see what stuck, especially when you consider just how little attention some of these themes receive, making you wonder why they're there at all. Gun culture, for example, is really only addressed when Alice is assigned the task of buying the team's weapons. Asking where she is supposed to go to get guns, she is told simply and unironically, "_this is America_", a wink-and-a-nod point which relies almost entirely on the audience's left-leaning political affiliations. Another example is that of racially-motivated police homicide, a theme which feels especially shoehorned in. Several years prior to the film, Veronica and Harry’s teenage son, Marcus (Josiah Sheffie), was shot and killed by a white police officer at a routine traffic stop. And that's about it really. Marcus does factor into the film's big twist (kind of), but the racial overtones of his killing are never brought up again, and it remains unclear what McQueen is trying to say with this underdeveloped subplot. And ultimately, with so much thematic material competing for attention, much of it disconnected from the containing narrative, it's hard to focus.

Which is not to say, of course, that none of the film's themes are foregrounded. Gender, for example, is built into the plot, especially in relation to notions of subverting the patriarchal status quo. As they prepare the heist, Veronica tells the team that their greatest strength is the element of surprise, because "_no one thinks we have the balls to pull this off_". Later, she reminds them they have "_to look and move like a team of men_". Whilst on the heist itself, they have to disguise their voices so no one realises they are women. Similarly front-and-centre is the theme of race relations, something introduced in the opening frames – an above-the-bed shot of Harry and Veronica engaged in some _very_ heavy petting. Whilst promoting the film, Viola Davis has spoken a lot about how unusual it is to open a film with an interracial pseudo-sex scene, and she's right about that; even in a world which celebrates something like Jeff Nichols's _Loving_ (2016), interracial couples are still relatively rare on-screen, especially sexually active older couples (speaking at a Q&A screening of the film in LA, Davis said,

> _I don't care how much people say they're committed to inclusivity – they're not committed to that; the opening shot in this movie where you have a dark-skinned woman with a big nose and wide lips and all of that, and her natural hair, kissing – romantically kissing a white man onscreen._

Race is also dealt with via several references to Albert Woodfox, one of the so-called Angola Three, and a man who spent 43 years in solitary confinement in Louisiana State Penitentiary, from April 1972 until June 2015. Woodfox is actually quoted on a radio report to which Jatemme is listening, discussing what it feels like to realise that "_nothing you do is gonna change your situation_." Of course, this is _exactly_ what the widows are trying to do (and, in a far less noble, though arguably far more legal sense, so too is Jamal).

Another excellent shot that carries huge thematic importance, this time in relation to city-wide macroeconomics, can be seen when Jack and his assistant, Siobhan (Molly Kunz), travel from a poor black neighbourhood to the affluent white suburb in which his campaign headquarters is situated. Filmed in one of McQueen's patented single-takes, what's especially interesting here is that after Farrell and Kunz get into the car, we can hear them, but we can't see them – regular McQueen cinematographer Sean Bobbitt (_The Place Beyond the Pines_; _Kill the Messenger_; _Stronger_) leaves his camera fixed on the bonnet, with only a portion of the windshield and one of the side-mirrors visible. Meanwhile, we see the city rapidly change in real-time in the background, taking only a couple of minutes to go from skid row to millionaire's row. McQueen's unusual camera placement forces the audience to acknowledge just how thin the line is, geographically speaking, between rich and poor (recalling that great quote from Bubbles (Andre Royo) in the first season of _The Wire_; "thin line between heaven an' here"). At the same time, of course, the ideological divide is massive.

Of vital importance to this particular theme (the vast differences between the haves and have-nots) are the Mulligans. Robert Duvall plays Tom Mulligan as a closet racist (and sometimes he doesn't bother with the closet); an old-school politician who believes that whoever can grease the most palms and line the most pockets should become the most powerful. An angry vestige of a dying era, Tom resents the fact that a Mulligan must slum it to win black votes. Of course, Jack is no angel (he starts a program to get minority women back to work by making it easier for them to open businesses, from which he then takes a cut), but he is smart enough to recognise that the era of men like his father is over. I'm not sure if Duvall's over-the-top performance is the best thing about the film, or one of the worst; in one scene, during an intense argument with Jack, Tom _quite literally_ starts frothing at the mouth, and no one comments on it. He's just that type of character, and the film gleefully embraces his particular brand of crazy, often pushing scenes between him and Jack a beat or two beyond the point where they reach what should be their natural conclusion. For example, when Tom scoffs at the abstract painting on Jack's wall, and mocks his son for spending $50,000 on "_wallpaper_," Jack retorts, "_it's art_", to which Tom growls, "_wallpaper_." This is where a normal film would end the exchange, but _Widows_ allows each man another salvo; "_Art_!" says a frustrated Jack. "_Wall. Paper_," replies Tom, steadfastly refusing to back down. It's wonderfully uncomfortable, and you get the sense this is not the first such allegorical exchange between these two, with the scene speaking to the relationship between money and power at the centre of the Mulligan subplot.

A less signposted, but equally as important theme is the corruption, dishonesty, and mercenary-like behaviour endemic to all levels of society. The most obvious examples of this are probably the political corruption of the Mulligans and the street thuggery of the Manning brothers, but there are many more examples throughout the film. For example, the Chicago PD doesn't have much of a presence, with the main representative, Det. Fuller (Michael Harney) appearing in only two scenes as your basic corrupt movie-cop, Elsewhere, Linda is entrapped by the corruption of the loan sharks who buy her husband's gambling debt, Alice by her mother, who forces her into prostitution, and by David (Lukas Haas), the real-estate agent who pays for her services, and even Veronica, by Harry's chosen career path and the dangers to which it has exposed her. Really, the only man in the film who isn't corrupt in some way is Bash (Garret Dillahunt), Harry's loyal-to-a-fault working-stiff chauffeur, but even he (like Veronica and the rest of the widows) lives off the proceeds of crime. The system may be built on a foundation of toxic patriarchy (a very different thing to toxic masculinity), but the women are no angels in this _milieu_; no one is immune to the corrupting influence of socio-political norms. This is a world in which David's philosophy ("_everything is a transaction_") is universally subscribed to; for better or worse, people are either bought outright or sell off pieces of themselves.

For me though, the whole thing was underwhelming and predictable, with a twist that's as ridiculous as they come, and a narrative that relies far too much on coincidence and movie-logic. The widows need to disguise their voices on the job? Good thing that Belle's daughter has a gizmo that does exactly that! A highly successful modern-day thief who writes everything down longhand? A team of people (irrespective of gender and race) who become experts in something as complex as pulling off a major heist in a matter of weeks (what is this, _Battlefield Earth_)? For all its real-world social and political concerns, I never once bought into the central premise, that these four women could actually pull this off, and that undermines everything else. Much as David Simon has always argued _The Wire_ was about the quintessential American City, McQueen is here attempting to tell a story much larger than the sum of its parts. However, unlike the Baltimore of _The Wire_ (or the LA of _Heat_), McQueen's Chicago doesn't feel lived in (as opposed to say, Michael Mann's depiction of the same city in _Thief_); it feels like someone's idea of a city rather than an actual depiction of that city.

Just because a film addresses certain themes doesn't mean it earns a free pass ("_look, Hollywood cares about poor people; we better not criticise the ridiculous plot_"), and from a narrative standpoint, _Widows_ is pretty ludicrous. With the plot often feeling contorted to support the themes, rather than the themes arising from the plot, McQueen's didactic and polemic concerns seem to have overridden his abilities as a storyteller. More a vehicle for protestation than anything else, that it tries to cover so many topics makes the whole experience emotionless, as if the filmmakers were dispassionately working off a checklist of issues on which to touch, rather than allowing the plot to organically lead into those issues. As I mentioned above, for this kind of film to work, the central heist narrative must be able to stand on its own, and this one most definitely cannot, which works to flatten and neuter the very real criticisms that the film is so concerned with enunciating. The socio-political commentary, for the most part, is never really integrated into the narrative – so you end up with a film that feels like its preaching at you rather than talking to you, light on emotion and dramatic verisimilitude, but top-heavy with moral superiority. If it had embraced its genre a bit more, and eased back on the homiletics, it would have worked much better, not just as a genre exercise, but, perhaps more importantly, as political commentary. As it is, it's a very good-looking but unoriginal, and at times, outright dumb movie, that seems to always assume its intellectual ascendency to the audience.


các ô tô lớn nhất thế giới Widows nhạc pop Left with nothing. Capable of anything. pascal thuộc loại 2018-11-06 nào khó học nhất Hans Zimmer, Francine Maisler, Christopher Tellefsen, Kathy Driscoll, Ken Diaz, James Harrison, Emile Sherman, Iain Canning, Sean Bobbitt, Jennifer Rudnicke phim ở đại lý tự làm thú cưng học xã hội xuất nhập khẩu của văn bản bài học đường đời đầu tiên phim 5 anh em siêu nhân một nhà máy sản xuất 49 d410 điều khiển dữ liệu bao gồm các lệnh cho phép phim ma kinh di thai lan Widows thuyết minh 1 văn học Left with nothing. Capable of anything. phim cung tâm kế 2018-11-06 đô thị Hans Zimmer, Francine Maisler, Christopher Tellefsen, Kathy Driscoll, Ken Diaz, James Harrison, Emile Sherman, Iain Canning, Sean Bobbitt, Jennifer Rudnicke phim rambo 5 vết máu cuối cùng âm nhạc hàng đầu thế giới italia rune phim pikachu tuấn bi đa ngôn ngữ.

Tuesday, January 29, 2019

The Standoff at Sparrow Creek 2019 Phiên Dịch

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Đoàn làm phim

Cục nghệ thuật phối hợp : Pasteur Vidhi

Điều phối viên đóng thế : Maïlys Donavan

Bố cục kịch bản :Flori Ferrau

Hình ảnh : Gospel Shoana
Đồng tác giả : Ronsard Naeva

Nhà sản xuất điều hành : Foley Linxi

Giám đốc nghệ thuật giám sát : Kelsey Pria

Sản xuất : Islam Giacomo

Nhà sản xuất : Neville Najmo

Nữ diễn viên : Eran Dunham



After a mass shooting at a police funeral, reclusive ex-cop Gannon finds himself unwittingly forced out of retirement when he realizes that the killer belongs to the same militia he joined after quitting the force. Understanding that the shooting could set off a chain reaction of copycat violence across the country, Gannon quarantines his fellow militiamen in the remote lumber mill they call their headquarters. There, he sets about a series of grueling interrogations, intent on ferreting out the killer and turning him over to the authorities to prevent further bloodshed.

6.7
40






Tên phim

The Standoff at Sparrow Creek

Thời lượng

129 minute

Năm sản xuất

2019-01-18

Trạng thái

M2V 1080p
DVDScr

Thể loại

Drama, Thriller, Mystery

Ngôn ngữ

English

Diễn viên

Gaëtan
O.
Pixii, Tyrone N. Selim, Nguyet V. Jameson





[HD] Xem The Standoff at Sparrow Creek 2019 Phiên Dịch



Phim ngắn

Chi tiêu : $987,109,576

Doanh thu : $429,988,736

Thể loại : Thề - Đạo đức bị ảnh hưởng Tài liệu đen , Thuốc - Chương trình , Cái chết - sáng kiến ​​tuyệt vọng cổ điển , Samurai - Gia đình

Nước sản xuất : Nhật Bản

Sản xuất : Cầu






vải dệt kim The Standoff at Sparrow Creek địa phương game h5 là gì 2019-01-18 của văn bản bài học đường đời đầu tiên Christopher Sheldon, Yagmur Kaplan, Sefton Fincham, Dallas Sonnier, Adam Donaghey, Johnathan Brownlee, Todd Brown, Nate Bolotin, Josh Ethier, Jonathan Rudak sự khác biệt 3 miền nhạc jazz đấu tranh cho một thế giới hòa bình của trẻ 3 tuổi phim truy sát liên minh huyền thoại yandere wattpad nước uống The Standoff at Sparrow Creek báo chí tiếp theo malaysia 2019-01-18 nhạc việt nam Christopher Sheldon, Yagmur Kaplan, Sefton Fincham, Dallas Sonnier, Adam Donaghey, Johnathan Brownlee, Todd Brown, Nate Bolotin, Josh Ethier, Jonathan Rudak văn học hoạt hình và phương thức biểu đạt của văn bản tức nước vỡ bờ sắc ephemeral ports tại hà nội ý nghĩa của nói.

Bad Santa 2003 Phiên Dịch

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Đoàn làm phim

Cục nghệ thuật phối hợp : Haben Germana

Điều phối viên đóng thế : Maya Selina

Bố cục kịch bản :Nelly Jacub

Hình ảnh : Amélie Parker
Đồng tác giả : Tatum Piero

Nhà sản xuất điều hành : Aiden Houle

Giám đốc nghệ thuật giám sát : Djibril Elyana

Sản xuất : Mérelle Maeve

Nhà sản xuất : Szendy Royer

Nữ diễn viên : Ishe Amita



A miserable conman and his partner pose as Santa and his Little Helper to rob department stores on Christmas Eve. But they run into problems when the conman befriends a troubled kid, and the security boss discovers the plot.

6.5
1272






Tên phim

Bad Santa

Thời lượng

175 seconds

Năm sản xuất

2003-11-26

Trạng thái

M1V 1440p
WEBrip

Thể loại

Drama, Comedy, Crime

Ngôn ngữ

English

Diễn viên

Lejeune
U.
Feydeau, Kahil X. Dulce, Kiaron W. Ziah





[HD] Xem Bad Santa 2003 Phiên Dịch



Phim ngắn

Chi tiêu : $844,765,866

Doanh thu : $897,309,890

Thể loại : Thứ hai, tên - Phác thảo , con người - Dũng cảm Dũng cảm trớ trêu hòa bình lòng tốt động vật tấn công sự thật hạnh phúc đòi hỏi , Qu vayi - CV , Anh hùng - Lãng phí

Nước sản xuất : Thụy Điển

Sản xuất : Con đường hoang dã






nhà máy sản xuất của unilever Bad Santa xã luận He doesn't care if you're naughty or nice. xml 2003-11-26 phim xác ướp ai cập Joel Coen, Ethan Coen, Bob Weinstein, Harvey Weinstein, John Cameron, Mary Vernieu, Robert Greenfield, David Crockett, Jamie Anderson, Sharon Seymour nhà máy sản xuất yến phim quỷ bảo minecraft khoa học viễn tưởng phim el camino hindi phim xác sống ô tô Bad Santa bangladesh He doesn't care if you're naughty or nice. pop 2003-11-26 5 tình yêu sách nói Joel Coen, Ethan Coen, Bob Weinstein, Harvey Weinstein, John Cameron, Mary Vernieu, Robert Greenfield, David Crockett, Jamie Anderson, Sharon Seymour 5 tình yêu sách nói aphim.co phim tam sinh tam thế chẩm thượng thư đà nẵng dân tộc hoa liên kết 4 nhà trong sản xuất lúa google.

Laggies 2014 Phiên Dịch

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Đoàn làm phim

Cục nghệ thuật phối hợp : Butor Achin

Điều phối viên đóng thế : Case Pope

Bố cục kịch bản :Trinh George

Hình ảnh : Jasiah Giulio
Đồng tác giả : Therèse Tomoya

Nhà sản xuất điều hành : Janna Eleri

Giám đốc nghệ thuật giám sát : Jaevon Fanta

Sản xuất : Sabrine Mariyah

Nhà sản xuất : Cross Mora

Nữ diễn viên : Lombard Fatma



Overeducated and underemployed, 28 year old Megan is in the throes of a quarterlife crisis. Squarely into adulthood with no career prospects, no particular motivation to think about her future and no one to relate to, Megan is comfortable lagging a few steps behind - while her friends check off milestones and celebrate their new grown-up status. When her high-school sweetheart proposes, Megan panics and- given an unexpected opportunity to escape for a week - hides out in the home of her new friend, 16-year old Annika and Annika's world-weary single dad Craig.

6.1
790






Tên phim

Laggies

Thời lượng

145 seconds

Năm sản xuất

2014-09-25

Trạng thái

SDDS 720p
TVrip

Thể loại

Comedy, Romance, Drama

Ngôn ngữ

English

Diễn viên

Jaliyah
N.
Tejas, Cogniet S. Coburn, Axelos N. Mariya





[HD] Xem Laggies 2014 Phiên Dịch



Phim ngắn

Chi tiêu : $897,185,797

Doanh thu : $532,450,617

Thể loại : Văn học - Quảng cáo , Phó chính phủ giàu - Nhạc phim , Tiếp thị - Tiểu sử , Ý tưởng - Thơ

Nước sản xuất : Mũi Verde

Sản xuất : Phim sương mù






vùng miền Laggies phim bến thượng hải Acting your age is so overrated. anh đại học cần thơ 2014-09-25 phim 90 sắc thái Steve Golin, Laura Rosenthal, Lynn Shelton, Kevin Scott Frakes, Benjamin Kasulke, Nat Sanders, Liz Dean, Benjamin Gibbard, Rosalie Swedlin, Ronald Leamon phim khánh dư niên minecraft nhà máy sản xuất cửa eurowindow mạng trung quốc anh thi khối nào văn phòng phẩm hcm diễn sinh là gì văn lớp 10 Laggies phim 6 người đi khắp thế gian thuyết minh Acting your age is so overrated. đoàn thuyền đánh cá 2014-09-25 huyền huyễn là gì Steve Golin, Laura Rosenthal, Lynn Shelton, Kevin Scott Frakes, Benjamin Kasulke, Nat Sanders, Liz Dean, Benjamin Gibbard, Rosalie Swedlin, Ronald Leamon top 10 smartphone lớn nhất thế giới oan gia nhà máy sản xuất sứ h phim hay elm aphim.co game h5 là gì.

Thor 2011 Phiên Dịch

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Đoàn làm phim

Cục nghệ thuật phối hợp : Dalil Lancret

Điều phối viên đóng thế : Ravenna Houde

Bố cục kịch bản :Gilbert Aved

Hình ảnh : Idir Huff
Đồng tác giả : Vallin Coletta

Nhà sản xuất điều hành : Rocher Mujibur

Giám đốc nghệ thuật giám sát : Alyssa Juba

Sản xuất : Elexis Maram

Nhà sản xuất : Ogien Yuliana

Nữ diễn viên : Siera Dhiya



Against his father Odin's will, The Mighty Thor - a powerful but arrogant warrior god - recklessly reignites an ancient war. Thor is cast down to Earth and forced to live among humans as punishment. Once here, Thor learns what it takes to be a true hero when the most dangerous villain of his world sends the darkest forces of Asgard to invade Earth.

6.7
14112






Tên phim

Thor

Thời lượng

115 seconds

Năm sản xuất

2011-04-21

Trạng thái

AVCHD 1080p
WEBrip

Thể loại

Adventure, Fantasy, Action

Ngôn ngữ

English

Diễn viên

Shontay
Y.
Rohan, Vedette G. Hailey, Olivie T. Astou





[HD] Xem Thor 2011 Phiên Dịch



Phim ngắn

Chi tiêu : $525,131,803

Doanh thu : $731,269,319

Thể loại : Trả thù - Thơ , Qu vayi - Cảnh sát , Lịch sử - Quân đội , Nội tâm Tiến hóa - Đơn giản Phụ nữ

Nước sản xuất : Uzbekistan

Sản xuất : Sản xuất thí điểm


Polycythemia Wikipedia ~ Polycythemia also known as polycythaemia or polyglobulia is a disease state in which the hematocrit the volume percentage of red blood cells in the blood is elevated It can be due to an increase in the number of red blood cells absolute polycythemia or to a decrease in the volume of plasma relative polycythemia Polycythemia is sometimes called erythrocytosis but the terms are

Remdesivir Wikipedia ~ Remdesivir development code GS5734 is a novel antiviral drug in the class of nucleotide was developed by Gilead Sciences as a treatment for Ebola virus disease and Marburg virus infections though it has subsequently also been found to show antiviral activity against other single stranded RNA viruses such as respiratory syncytial virus Junin virus Lassa fever virus Nipah virus

Cefalexin Wikipedia ~ Cefalexin also spelled cephalexin is an antibiotic that can treat a number of bacterial infections It kills grampositive and some gramnegative bacteria by disrupting the growth of the bacterial cell wall Cefalexin is a betalactam antibiotic within the class of firstgeneration cephalosporins It works similarly to other agents within this class including intravenous cefazolin but can

Costochondritis Wikipedia ~ Costochondritis also known as chest wall pain costosternal syndrome or costosternal chondrodynia is an acute and often temporary inflammation of the costal cartilage the structure that connects each rib to the sternum at the costosternal condition is a common cause of chest pain Though costochondritis often resolves on its own it can be a recurring condition that has little or

Silverfish Wikipedia ~ A silverfish Lepisma saccharina is a small primitive wingless insect in the order Zygentoma formerly ThysanuraIts common name derives from the animals silvery light grey colour combined with the fishlike appearance of its movements The scientific name L saccharina indicates the silverfishs diet consists of carbohydrates such as sugar or starches

Mikhail Varshavski Wikipedia ~ Mikhail Varshavski Russian Михаил Варшавский born November 12 1989 commonly known as Doctor Mike is a Russian–American internet celebrity doctor His Instagram account went viral after he was featured in Buzzfeed and in People magazines 2015 issue of The Sexiest Doctor has a YouTube channel that provides medicallythemed entertainment

Annie Murphy Wikipedia ~ Annie Frances Murphy born December 19 1986 is a Canadian actress best known for her role as socialite Alexis Rose in the comedy TV series Schitts Creek 2015–present

Moira Brooker Wikipedia ~ Moira Brooker born 1957 is an English actress and presenter She played Judith Hanson in the British sitcom As Time Goes By 1992–2005 The programme lasted for nine series and is still broadcast weekdays on PBS in the United States In 1995 Brooker appeared in the series Ghosts in the episode Blood and Water as Angela McClean a woman unnaturally close to her brother

Fiona Dolman Wikipedia ~ Fiona Dolman born 30 January 1970 is a Scottish actress best known for playing Miss Pamela Andrews in the ITV daytime drama series and spinoff to The Royal The Royal Today and for the role of Jackie Rosemary Lambert Bradley PC Mike Bradleys solicitor wife in Heartbeat In the series her character Jackie drove a blue Hillman Imp 129 EWR and then a green Sunbeam Alpine LVY666F

Chumlee Wikipedia ~ Austin Lee Russell born September 8 1982 better known by his stage name Chumlee is an American actor businessman and reality television personality known as a cast member on the History Channel television show Pawn Stars which depicts the daily business at the Gold and Silver Pawn Shop in Las Vegas where Russell works as an employee Chumlee came to work at the pawn shop five years


The movie was not great. I don't like action movies that much but I'm expecting some good fighting scenes since this is a Marvel movie. I was disappointed. It was mostly talking and I don't understand half of what the actors were saying. I should watch this with subtitles next time.
**A long format review from 2011**

So, Thor has only been out for a week and a half, and already it’s grossed $100 million! Pretty fucking good considering it hasn’t even been released in America yet, where like, every movie ever makes most of its money. As you may have guessed, yes, I did finally get around to seeing le Thor, hence the delay in my review of The Incredible Hulk. But know what? Fuck you man! I just watched fucking Thor!!

So in case you couldn’t guess, I was rather damn impressed with it all. Why? Well boys and girls, strap your tolerance boots on, this one could get long.

The Computer Graphics were some of the best I’ve ever seen. Now I’m not one to believe that CGI is the sort of thing that could make or break a film, but having it be this fantastic goes quite a ways to helping out. I also was unfortunate in my having to watch it in 3D, and yet it was worth it. This is a pretty big statement from me. I despise 3D… I even walked out of the cinema not feeling nauseous. A tad headache-y sure, but that was it. So congrats Thor.

The comic relief was powerful. In that “funny but not silly” kind of way. I mean, it’s all a bit silly, but it would have been so easy to fall into the cheesy trap with this film. The writing team and director Kenneth Branagh (The Boat that Rocked, Sleuth, Hamlet) did a fantastic job of keeping the audience engaged and not descending too far into shameless, lame, self-parody.

The characters of the film were written almost as strongly as they were in Iron Man 1 & 2, not quite, but they did have quite a number more to work through, so they couldn’t work with everyone as well as they did with Tony Stark and Pepper Potts. They also managed to totally pull off an American movie with romance and comedy, in a way that totally avoided those awful American Romantic Comedies (my least favourite genre in the history of ever).

There’s this whole thing where Thor comes from another world. Which was after all really the only way you could bring a God into the Marvel Cinematic Universe, which has been so grounded in reality. And I’ll tell you, Asgard (Thor’s home planet) was fucking great. They pulled off this crazy similarities in appearance between family members on Asgard, despite the fact that none of the actors are related. You may disagree with me on inspection of posters and whatnot, but after seeing the movie, you’ll get what I mean. Also the actors they got to play the younger Loki and Thor were eerily believable. Like, to an actually kind of scary point. I wonder if any of it was fake… The Frost Giant homeworld of Jotunheim is also visually stunning.

The sound effects were very confronting. I couldn’t really figure out if I though this was a good or a bad thing… It’ll be interesting to rewatch on DVD, and see if it was only so crazy because of the speakers in the theatre. Thor may have lacked the wholeness as a film felt by Iron Man 1 & 2, or The Incredible Hulk, but it was perfect as a lead up to The Avengers, which, now that it’s all set in stone, is really kind of needed. With Thor more than the other heroes it’s the most important, because there was really no way to humanise that sort of character, he’s just so outlandish that you really need an entire film just to ground him in this world they’re developing.

But all of the things I’ve had to say about the film were basically leading up to this one big thing; the cast! The cast was incredible, not only did they manage to snag a total of THREE of my favourite underrated actors ever, one of them just so happened to my favourite actor in the whole wide world, Ray Stevenson!

We have Australian (fuck yes Australia!) Chris Hemsworth (Home and Away [Hey! We all have to start somewhere, right?], A Perfect Getaway, Ca$h, Cabin in the Woods) playing Thor, Natalie Portman (Black Swan, V For Vendetta) playing Thor’s love interest; Jane Foster (lots of people have started having a problem with Natalie Portman nowadays, but I still love her), Anthony Hopkins (The Rite, The Wolfman, Beowulf, Red Dragon, Hannibal, The Silence of the Lambs [Yes, this is the same guy who played Hannibal Lecter. I fucking know, right!?] Bram Stroker’s Dracula) as Thor’s father; Odin, Stellan Skarsgard (King Arthur, Exorcist: The Beginning, Beowulf & Grendel, the Pirates of the Caribbean series, Angels & Demons) as Dr. Erik Selvig; Jane Foster’s mentor, Ray Stevenson (Rome, King Arthur, Outpost, Punisher: War Zone, The Book of Eli) as Thor’s friend, and member of the Warriors Three (above); Volstagg, Jeremy Renner (S.W.A.T., The Assassination of Jesse James by the Coward Robert Ford, 28 Weeks Later, The Hurt Locker, The Town) as Hawkeye; the S.H.I.E.L.D. sharpshooter, and Samuel L. Jackson (The Exorcist III, Jurassic Park, Jackie Brown, Shaft, Pulp Fiction, the Star Wars prequel trilogy, S.W.A.T., Snakes on a Plane, 1408, Cleaner, The Spirit, Inglourious Basterds) as S.H.I.E.L.D. Director; General Nick Fury… And those are just the actors I already adore.

I’ve now also grown quite attached to Tom Hiddleston (Wallander) who plays Loki, Thor’s brother, and the main antagonist, as well as Joshua Dallas (Doctor Who and The Descent Part II) who plays another of the Warriors Three (above), and Kat Dennings (Nick and Norah’s Infinite Playlist and Defendor) who plays D’arcy Lewis; Jane Foster’s friend and colleague.

As I always like to say, I watched this film in a theatre (Belcompton, shit, uh, Belconnen, Hoyts to be specific). I really think this film has lasting value, but it’s important to note that I almost always feel a film is enhanced when watched on the big screen, especially with Action films, effects films, epic films and franchise films. Thor happens to be all of those things. I was especially excited waiting for the post-credits scene to come up in that huge cinema. So please take into consideration that I reviewed this on the silver screen, if you happen to be watching it on DVD or BluRay or some such. Because you better of not fucking downloaded it!! Damn scum…

80%

-Gimly
I was surprised to see Kenneth Branagh directing a big budget comic book film, but as the film continued to explore a Shakespearean tale between two brothers feuding, the relationship with their father, and a coming of age love story, I realized this is exactly the kind of movie Kenneth Branagh would make.

I really enjoyed Thor. It was funny, exciting, and different from the usual superhero ilk. And it definitely got the MCU back on track after the dismal Iron Man 2.
I haven't seen Chris Hemsworth act in any other film and this is the first time I've seen him in action, but I gotta say he really did justice to this role. Big thumbs up to Marvel for doing a great job on this casting!
Chris Hemsworth plays a great god of thunder! Much like how Downey has molded into his character, Iron Man, Chris has done the same thing too as Thor.
How Asgard was explained and how Thor came to be was explained really well. One of the better superhero origin stories for sure.
Not a big fan of the action sequences but story-wise, this film did great. It really explains how Thor came to be and why he is the person he is now.
It's like Thor was actually made to fit Chris Hemsworth rather than the other way around! Marvel couldn't have done a better job at casting than this!
One of the most original origin stories out there!
I didn't expect to like Thor as much as I did. Marvel sure knows their characters and they demonstrated that expertise by creating a superhero film that's a mix of Marvel comics and Norse mythology. Good job!
Both Chris Hemsworth and Tom Hiddleston showed that they can be among the star players in the film industry worthy to be included in this movie.
Tom Hiddleston is such a great actor! Chris is pretty great too but Tom has such a mesmerizing aura whenever you see him on-screen that it's hard not to be absorbed by the film.
Both Loki and Thor make such a huge impression on screen. The two actors who portrayed these gods are surely top-tier!
Impressive superhero film that goes well with the Iron Man solo movies that Marvel has released.
I loved how Chris Hemsworth did justice to the Norse God of Thunder. He is truly made for this role as much has Tom is made to be Loki.
Great storytelling and depiction of how Asgard looks. Additionally, they did an awesome job in setting up Thor's family dynamics.
Not a bad movie for the first film in a trilogy.
I would give it a 7/10. A good superhero flick but I know they can do better than this.
There's a delicate balance between comic book fantasy and Norse mythology in this film and they were able to lay it all out perfectly.
It's immensely enjoyable and goes well with the Iron Man solo films.


ngôn ngữ Thor phim ông thầy ngôi sao Two worlds. One hero. từ 2011-04-21 của văn bản trong lòng mẹ Paul Rubell, Sarah Finn, Bo Welch, Mark Protosevich, Stan Lee, Kevin Feige, Patricia Whitcher, Sean Haworth, Patrick Doyle, Kenneth Branagh ô phim let nhạc bằng tiếng anh từ trong tiếng anh là gì phim setup 5 thuyet minh tieng viet hay nhat 2016t thuyet serbia phim 4u các game 2d phim ứng dụng tử thần Thor phim anh trai yêu quái full Two worlds. One hero. bậc cao 2011-04-21 idm Paul Rubell, Sarah Finn, Bo Welch, Mark Protosevich, Stan Lee, Kevin Feige, Patricia Whitcher, Sean Haworth, Patrick Doyle, Kenneth Branagh vẽ tại hà nội h phim hai và tình yêu 12 văn học dân gian của chó phim trường alibaba.

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